Journal introduction:

 

The Cultural Heritage sector spans many distinct sub-areas, which may be divided into two major classifications: Tangible heritage, such as the discovery, documentation, organization, interpretation and communication of artifacts, monuments, sites, museums, and collections (including digital archives, catalogues and libraries); Intangible heritage, such as music, performance, storytelling, and mythology. At the interface between these two areas lies the area of historical and cultural interpretation. The increasing volume of digital cultural artifacts and collections is becoming an important body of heritage content in its own right. Finally the area of collections, their organisation, cataloging, management and interrogation is also an area of interest for the journal. Topics include (but are not limited to) the following areas: -On-site and remotely sensed data collection- Enhanced 2D media for CH- 3D digital artifact capture, representation and manipulation- Tools for reconstruction and processing of digital representations- Metadata, classification schema, ontologies and semantic processing for CH multimedia repositories- Analytic tools to assist scholars' research on collections or artifacts- ICT assistance in monitoring and restoration- Augmentation of physical collections with digital presentations- Virtual and Augmented Reality technologies for virtual and digital museums- Human-Computer interfaces for virtual and digital museums- Story-telling and other forms of communication, multimedia systems- Serious games- Web-based and mobile technologies for CH- Long term preservation of digital artifacts- Provenance, copyright and IPR- Digital capture and annotation of intangible heritage (performance, audio, dance, oral heritage)- ICT technologies in support of creating new cultural experiences or digital artifacts- Applications (e.g. in Education and Tourism).

Frequency：4 Issues Per Year

Editorial board
Editor-in-Chief
Skip section，Karina Rodriguez-Echavarria，University of Brighton，United Kingdom

Specialized Associate Editors
Michele Betti，University of Florence，Italy
Rimvydas Lauzikas，Vilnius University，Lithuania
Luca Andrea Ludovico，University of Milan，Italy
Ricardo Marroquim，TU Delft，The Netherlands

Associate Editors
Eike Anderson，Bournemouth University，United Kingdom
Gustavo Candela，Universidad de Alicante，Spain
Erik Champion，University of South Australia，Australia
Rossana Damiano，University of Turin，Italy
Paola Di Giuseppantonio Di Franco，University of Essex，United Kingdom
Rachel Fernandez，Arizona State University，United States
Enrico Gobbetti，CRS4，Italy
Tsvi Kuflik，The University of Haifa，Israel
Antonio Origlia，University of Naples，Italy
Mohd Kamal Othman，Universiti Malaysia Sarawak，Malaysia
Marina Paolanti，University of Macerata，Italy
Roberto Pierdicca，Università Politecnica delle Marche，Italy
Ruggero Pintus，CRS4，Italy
Marco Potenziani，ISTI-CNR，Italy
Niccolò Pretto，Free University of Bozen-Bolzano，Italy
Ramona Quattrini，University Politecnico delle Marche，Italy
Carla Teixeira-Lopes，University of Porto & INESC-TEC，Portugal
Michael Weinmann，TU Delft，The Netherlands
Christof Weiss，University of Wuerzburg，Germany
Yipei Ye，Palace Museum，China
Jiawan Zhang，Tianjin University，ChinaEditorial Board

Abstracting and indexing
ACM Journal on Computing and Cultural Heritage (JOCCH) publishes papers of significant and lasting value in all areas relating to the use of information and communication technologies (ICT) in support of Cultural Heritage. The journal encourages the submission of manuscripts that demonstrate innovative use of technology for the discovery, analysis, interpretation and presentation of cultural material, as well as manuscripts that illustrate applications in the Cultural Heritage sector that challenge the computational technologies and suggest new research opportunities in computer science.


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